Adriana Attan is a contemporary Pan African Artist whose creative journey is deeply influenced by her diverse background and global experiences. Born in Dunedin and raised in Kenya, she pursued her Fine Arts education at the Design and Arts College in Christchurch, New Zealand. However, her artistic exploration extends far beyond geographical boundaries, as she has lived and absorbed influences from various countries including Australia, the USA, the Middle East, and Africa.

Attan’s art delves into a myriad of themes, ranging from identity and aesthetics of beauty to gender equality, equity, and ideology. Central to her work is an exploration of the lingering impacts of imperialism and colonialism on society and individual perspectives. Through her art, she seeks to spark dialogue, challenging entrenched views and inviting viewers to re-evaluate their understanding of history and its implications on contemporary society.

Incorporating elements of Afro Pop and Afro Punk styles, Attan’s artistic expression is characterized by the prominent use of traditional African artefacts, literature, and assimilated fabrics such as Dutch Wax. By employing contemporary art processes, she creates inclusive spaces that serve to reclaim and give back to the community, fostering a sense of empowerment and cultural pride.

Attan’s art is confrontational and thought-provoking, disrupting commonly accepted moral codes and principles. However, it does so without assigning blame or offering absolution; rather, it invites viewers to engage in critical interrogation and reflection.

In essence, her work embodies the Igbo proverb Anaghi ano ofu ebe ekiri Mmonwu (One does not stand in the same spot, while watching the dance of the great masquerade).

Reminding viewers that they cannot remain static in the face of cultural dynamism and urging them to actively participate in the ongoing dialogue surrounding identity, history, and societal norms.